Michael
From Spain
<b>INT. GANGSTERS IN OKLAHOMA - DAY</b> Film students, film lovers, cinema-goers, and reviewers rejoice! <i>Martin Scorsese's</i> latest film is excellent! <i>The Irishman</i> might have been his last 'gangster' film. Still, the apple doesn't fall far from the tree, <i>Killers of the Flower Moon</i> might not be a gangster film, but there are many 'mob' elements within it. The biggest fear people had going into this film was the runtime. Weeks before the release, speculations came out about the length of this film. I saw an article stating it would be 4 hours long! Alas, it's only 206 minutes long, not even coming close to the longest film here at Cannes. I can confirm that the film never drags its feet for too long; there are times when it slows down, but this is only during the film's opening hour. Thankfully it quickly picks up the pace and goes by fast once the whole ensemble is introduced. <i>Jesse Plemons</i> is a late bloomer in the film, only being introduced 2 hours in; as I said, this is where the film starts moving. The story is simple: During the 1920s, oil was discovered on Osage Nation Land. Turning them into the richest people per capita in the world! <b>Ernest Burkhart</b> (<i>Leonardo DiCaprio</i>) returns to work for his uncle, <b>William Hale</b> (<i>Robert De Niro</i>). Ernest meets <b>Mollie</b> (<i>Lily Gladstone</i>), and they marry. However, slowly many of Mollie's friends and family are murdered, with those who married into the family taking ownership of the land—eventually, the FBI steps in to investigate. Lily and Leo have excellent on-screen chemistry, with Lily performing phenomenally. I hear talks about the Oscars for her, which is entirely valid. De Niro steals many of the scenes he's in, often providing the most laughs. He is ultimately the most 'mob-like character within the film, never pulling the trigger but commanding the troops. Jesse Plemons is the final major character within the story as <b>Tom White</b>. Unfortunately, Plemon's isn't that interesting; I wonder if Plemons wasn't given much direction or if he decided to make the character this way. Still, White moves from scene to scene without much interest. He's just there, leading the FBI but never being an individual; I didn't remember his name after the film; I just referred to him as 'FBI guy.' Technically, <i>Killers of the Flower Moon</i> is a marvel (Not that Scorsese would like me saying the word 'Marvel'), but just like all of his films, everything is great. Nothing stands out as 'excellent'; the score, editing and cinematography are at the level you'd expect from the mind of Scorsese. This leads me to my final thoughts on the film; recently, Martin has been talking about his age and his ability to make films like he used to. Scorsese is 80 years old and doesn't believe he has the same drive as <i>Ridley Scott</i>. Suppose this is to be his final film. In that case, I'd be happy knowing it's not a significant departure from what made him the famed director but a story worth telling from a creator who will continue to be studied and praised for the next many decades. <b>FADE OUT.</b>
